Selected projects from a thirty-year interdisciplinary practice spanning sound, moving image, performance, digital arts and creative collaboration.

Enchantment

Audio-visual work combining drawing, moving image and original sound composition, created as filmmaker, visual artist and composer. Supported by Arts Council England, the work was screened at BALTIC Centre for Contemporary Art and later presented through an independently produced outdoor screening in Newcastle upon Tyne.

The project brought together hand-drawn imagery, moving image and sound within an interdisciplinary creative practice spanning visual art, film and composition.

International Symposium on Electronic Art (ISEA)
Live audio-visual performances presented at the International Symposium on Electronic Art (ISEA), one of the world's leading international forums for electronic and digital arts. The work explored interdisciplinary relationships between sound, moving image, performance and technology through original electronic music, visual media and live performance.
Red House Centre for Culture and Debate, Sofia
Live interdisciplinary performance presented at the Red House Centre for Culture and Debate, Sofia, as part of an international programme of contemporary performance and multimedia arts practice. The work combined sound, moving image and live performance within a collaborative cross-artform context.

Closer (dir. Tina Gharavi)

Original music and sound design for the award-winning documentary Closer. The film received the Czech Radio Award at the Prague One World Film Festival, where the jury specifically recognised its use of sound and music.

The Refrigerator

Arts Council England-supported interdisciplinary performance project produced by Forma Arts and Media. Combining electronic music, moving image and live performance, the project was presented at Tyneside Cinema and developed through extensive artistic collaboration. Nicola's role included artistic direction, live electronic music performance, project development and fundraising.

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